Spitfish is a dead-easy to use de-esser. Aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise 'spit' in your face.
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- ERA De-Esser Pro. Getting rid of those noisy high frequency consonants can be a tedious and time-consuming task. This is why we developed De-Esser Pro, a fast and powerful tool that requires minimal effort, yet delivers transparent results. It offers highly accurate de-essing and customizable sound recovery features.
This collection contains 2 Analog Code plugins that emulate both the classic single and modern dual band versions of SPL’s analog hardware de-essers - considered by many to be the very best in professional recording. Just like the hardware versions, no other de-esser plugin gets the job done as easily and precisely while maintaining the character of the original source.
Traditional de-essers compress the frequency range where esses typically occur. Without constant knob-tweaking, these de-essers can deliver lispy- or nasally-sounding vocals, especially on tracks with high amounts of sibilance. SPL´s Auto Dynamic De-Esser eliminates these challenges by monitoring the entire frequency spectrum and automatically detecting the sibilant frequencies.
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The bandwidth is set so narrowly around the range of the sibilance that neighboring frequencies remain unaffected. This frequency band is mixed back into the main signal phase-inverted to cancel out the sibilance. The result is precise de-essing that is incredibly simple to apply, while preserving the original character and timbre of the voice - even at high reduction settings.
The SPL De-Esser plugins also contain features not found on the original hardware, such as an M/S Stereo mode that allows you to de-ess a full mix and without losing the high frequencies of cymbals, guitars or keyboards. This makes the SPL De-Esser a valuable tool during mastering.